Z for Zachariah Movie Reviews


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  • Jeannette Catsoulis

    5.0

    Jeannette Catsoulis | The New York Times

    Maintaining a strict formal allegiance to reserve and restraint, [Mr. Zobel] shapes a dreamily elegant emotional ballet from glances and gestures and subtle shifts in power.
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  • Drew McWeeny

    4.6

    Drew McWeeny | HitFix

    Z For Zachariah may not be a faithful adaptation of a well-liked book, but as a film, it is a lovely, powerful piece of work.
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  • Stephanie Zacharek

    4.5

    Stephanie Zacharek | Village Voice

    The film works on its own terms, capturing, at least, the mournful vibe of O'Brien's book. What's more, Zobel's revision opens up plenty of space for the three actors who inhabit this circumscribed little world, all of whom are terrific.
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  • Randy Cordova

    4.5

    Randy Cordova | Arizona Republic

    Director Craig Zobel (he made the creepily effective “Compliance”) lets the story unfold in wonderfully hushed fashion.
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  • Tim Grierson

    4.0

    Tim Grierson | Screen International

    Z For Zachariah’s beauty is its simplicity, Zobel telling the story with a minimum of fuss and resisting easy explanations for his characters’ actions.
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  • Joe Morgenstern

    4.0

    Joe Morgenstern | Wall Street Journal

    Z for Zachariah asks us to suspend a good deal of disbelief. Ann is absurdly beautiful, and Ms. Robbie emerges as a full-fledged star, even though her performance is precise and understated.
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  • Alonso Duralde

    4.0

    Alonso Duralde | TheWrap

    Z for Zachariah feels like a genuine rarity: an American movie that doesn’t tell you what to think or how to feel when the credits start rolling. Contemplating our doom doesn’t seem like a bad idea when it’s done this skillfully.
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  • All this publication's reviews

    3.8

    All this publication's reviews | indieWIRE

    Even as the story’s increased tension weakens its subtleties, Zobel's sensitive handling of the emotional tone throughout grounds the film with an overarching realism despite the far-fetched setting.
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  • Rodrigo Perez

    3.4

    Rodrigo Perez | The Playlist

    Its craft can be impressive: Zobel’s film possesses a searing, slow burn tone that’s beautifully controlled. The movie is admirably patient and gives breathing room and space for these relationships to bloom believably and organically. But the build to a climax is far too slow and with little emotional payoff.
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  • Tom Russo

    3.2

    Tom Russo | Boston Globe

    Far from contrived, the triangle that “Zachariah” sketches among the last three folks on earth is all too human.
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  • Todd McCarthy

    3.0

    Todd McCarthy | The Hollywood Reporter

    Craig Zobel effectively sets all its surface parts in motion but, crucially, doesn’t sufficiently develop that turbulent undercurrents of tension and intrigue that are called for in the hothouse circumstances.
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  • Bilge Ebiri

    3.0

    Bilge Ebiri | New York Magazine (Vulture)

    The descent into a tepid thriller of sexual jealousy slowly negates the abstract, almost metaphorical quality of this film — and it ultimately undoes the spell cast by that mesmerizing first half.
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  • Scott Foundas

    3.0

    Scott Foundas | Variety

    Z for Zachariah is a handsome-looking film (shot in widescreen, on remote New Zealand locations, by veteran David Gordon Green d.p. Tim Orr) and it doesn’t lack for provocative ideas, though it never digs quite deep enough into any of them.
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  • Joshua Rothkopf

    3.0

    Joshua Rothkopf | Time Out New York

    The question of winning Ann sexually takes on an ugly character, and the film dumbs down fast. This is how the world ends: not with a bang but a wimp.
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  • Ed Gonzalez

    1.9

    Ed Gonzalez | Slant Magazine

    The film squanders the promise of its scrutiny into how people recalibrate their sense of morality in times of crisis.
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