Rangrezz Movie Reviews

Rangrezz (remake of Tamil hit Naadodigal), which in Hindi means the person who dyes clothes (the symbolic meaning being someone who adds color to life), is a powerful film about three seemingly aimless youngsters living in the chawls of Mumbai [ Images ], who are blinded by the idea of friendship, and see nothing wrong in risking their lives in the name of friendship. Their humble background has probably rendered them with large hearts

It's been a while since Priyadarshan made us sit up and watch in rapt attention. Visually and in terms of the content, Rangrezz is his best work in years. In what must rank as one of the most gripping elopement sequences written in the history of celluloid courtship, three friends, who look like they've walked out of Kai Po Che! when Chetan Bhagat was not looking, get together to abduct a powerful minister's daughter from a crowded temple to unite her

Review:  This is a film that guarantees family time entertainment for the Indian audience. Based on friendship and traditional family......

Rangrezz is an over-wrought melodrama that has stray moments of power but is ultimately too convoluted to be convincing. Jackky Bhagnani plays Rishi, a lower-middle-class boy from Mumbai who drives to Lalitpur in Uttar Pradesh to help a friend unite with his girlfriend. Rishi and his two friends kidnap her (with her consent), marry them in a temple and dispatch them to Goa. Both the girl and boy have powerful parents - one's mother is a politician

So, here's the story of BFFs (best friends forever) revisited. Only this one's not about boys on a bachelor's trip (read: road film) or the boy gang-bang kind of stuff (read: sex comedies). The theme of 'Rangrezz', is more like 'dosts till death do us part', with of course, a melange of other issues (love, sex, marriage, mazhab) doing a walk-in, walk-out part through the film. Three Mumbai boys from different backgrounds (lower-middle class and below) are diaper dosts

Director Priyadarshan probably nurses a deep grudge for Bollywood. For several years now he has been giving us Hindi films which are insolent remakes — he picks old Tamil, Hollywood, Japanese, Iranian or even his own Malayalam films, gets one Bollywood biggie and some South Indian stars and churns out one dreary, dull film after another. Box office verdicts range from “blockbuster” to “flop”. For producer daddy Vashu Bhagnani and actor beta Vickky Bhagnani’s third

‘Rangrezz’, Priyadarshan’s remake of a Tamil film, has a story without a convincing purpose, point or plan.

Vashu Bhagnani is synonymous with larger-than-life entertainers. Glamorous stars, foreign locales and lavishly-filmed songs are mandatory in his movies. With RANGREZZ, he delves into the realistic world for the first time. Ditto for Priyadarshan, who returns to hard-hitting, gritty cinema that you appreciated and applauded in his earlier films, especially GARDISH. Of course, RANGREZZ is not as hard-hitting as those films, but it takes the realistic route

Rangrezz Movie Review:What’s Good: The film’s honesty is its sole USP. Period! What’s Bad: Lack of able scre...

Priyadarshan has been growing so steadily unwatchable these days that you fear the worst when you step into Rangrezz, a remake of the Tamil hit Naadodigal. As the film unspools, each of those fears come true: this is rock-bottom.

Don’t be fooled by this simplistic story. The screenplay springs up a major surprise in the second half when every thing you watched and believed in is rubbished off.

There are good movies, bad movies and then there is Priyadarshan’s Rangrezz, a remake of the Tamil film Naadodigal, that makes viewers wolf down overpriced soda and popcorn while teaching a lesson or nine about filmmaking and life. 1. Have (at least) two stupid friends: Don’t ya know, even Homer Simpson looks like Superman in the company of Beavis and Butt-head. Since we are in the Kai Po Che! mood, director Priyadarshan gives his protagonist